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中美版权争议的修辞学研究(英文版)/英语博士文库
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中美版权争议的修辞学研究(英文版)/英语博士文库

  • 作者:董秋敏
  • 出版社:河南大学出版社
  • ISBN:9787564912192
  • 出版日期:2017年10月01日
  • 页数:201
  • 定价:¥28.00
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    内容提要
    《中美版权争议的修辞学研究(英文版)/英语博士文库》共分六章,以修辞学的视角,运用比较、对比修辞、跨文化交流和意识形态批评的方法,分析了中西古典修辞学著作、中美现代法律和政令以及中美版权协议的三套共十二个文本资料,回答两个问题:中美两国的修辞和文化传统以及版权国际化怎样影响两国对版权保护的认识的法律实施?这种影响对中美专业交流有何意义?
    文章节选
    《中美版权争议的修辞学研究(英文版)/英语博士文库》:
    Collectivism/communitarianism "encourages members (of the group) to leave a legacy to society, neighborhood, and family, which lasts beyond the individual life" (Hampden—Tumer and Trompenaars, 2000, p.79).This is to say that people on the collectivist side are integrated, from birth on, into extended in—groups that prioritize collective and inner group interests over indivdual ones (Hofstede, 2001).China is the lowest individualist country among the countries investigated—showing the characteristics of "'we' consciousness, collective orientation, particularist, membership ideal, less consciousness of private life, activities imposed by context, traditional society" (Hofstede, 2001, p.227).For instance, for a long time in China, a formal copyright law was entirely missing in the legal discourse.Authors were not benefited much from their creations because copyrights belonged to the nation.In return for their work, they received a very small manuscript fee.
    Power distance, the last cultural dimension to be discussed in this chapter, refers to the extent to which a society accepts human inequality (Hofstede, 2001, p.79).
    ……
    目录
    前言
    Chapter One IntroductiontotheStudy
    1.1 Introduction
    1.2 Problem Statement:Reality of China’S Copyright Protection versustheExpectationsoftheUnitedStates
    1.3 westerrdGreco.Roman Rhetorical Tradition
    1.4 U.S.CulturalValuesandBeliefs
    1.5 ChineseRhetoricalHeritage
    1.6 ChineseCulturalValuesandBeliefs
    1.7 Global Copyright Practice and the U.S China Debate
    1.8 RhetoriC:A General Defmition and its Relatedness to the Project
    1.9 Rhetoric and the U.S China Copyright Approaches: Meta-Methods.
    1.10 Conclusion

    Chapter Two Methods
    2.1 Introduction
    2.2 Main Research Question and Sub-Questions
    2.3 Quantitative and Qualitative Methods versus Rhetorical Criticism
    2.4 Why Comparative Rhetorical Approach
    2.5 Cluster Analysis: An Approach to Articulate the Author's Intention on the Audience
    2.6 Intercultural Rhetoric/Communication: The Approach to Cultural Values and Beliefs as Well as Behaviors
    2.7 Marxist Criticism: An Ideological Approach to the U.S.- China Conflicts over Copyright Practice
    2.8 Researcher Role
    2.9 Research Materials
    2.10 Conclusion

    Chapter Three Rhetorical Tradtions and Western(U.S.)/Chinese Legal (Copyright) Approaches——A Cluster Analysis
    3.1 Introduction
    3.2 Rule by Law or Rule by Man: The Concept of Virtue/Ethos in Early Greco/Roman and Chinese Rhetorical Traditions-.-
    3.3 Plato's Concept of Virtue in Protagoras
    3.4 Ethos as Human Character in Aristotle's On Rhetoric
    3.5 Cicero's Ideal Orator in De Oratore
    3.6 Chinese Rhetorical Tradition: Confucianism and Daoism
    3.7 Western and Chinese Concept of Virtue/Ethos and its Potential Impact on U.S. and Chinese Legal (Copyright) Approaches: A Comparison and Contrast
    3.8 Conclusion

    Chapter Four The Impact of Cultural Traditions on the U.S. and China Legal/Copyright Approaches——the Cultural Dimensions
    4.1 Introduction
    4.2. U.S. Cultural Dimensions: Cultural Values and Beliefs Revealed in the Declaration of Independence and the U.S. Constitution
    4.3 Universalism, Individualism, and Low Power Distance: U.S. Cultural Dimensions and Values and Beliefs
    4.4 Chinese Cultural Dimensions: Cultural Values and Beliefs Revealed in the Constitution of the People's Republic of China and Deng Xiaoping's Southern Tour Speeches
    4.5 Particularism, Collectivism, and High Power Distance: Chinese Cultural Dimensions and Values and Beliefs
    4.6 Cultural Dimensions and Their Potential Impact on the U.S.-China Copyright Approaches: A Comparison and Contrast
    4.7 Conclusion

    Chapter Five The U.S. and Chinese Approaches to Copyright Practice—An Ideological Criticism
    5.1 Introduction
    5.2 Global Copyright Protection: From Internationalization to Globalization
    5.3 The U.S.-China Copyright Conflicts: The 1992 MOU and the 1995 U.S.-China IP Agreement
    5.4 The Ideology of the Conflict: Implications for the U. S. and Chinese Copyright Approaches
    5.5 Conclusion

    Chapter Six Discussions and Conclusions
    6.1 Introduction
    6.2 Summary of Research Results
    6.3 Conclusions
    6.4 Recommendations for the Discipline and Policy Makers
    6.5 Limitations of the Study
    6.6 Contributions
    References

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