This work argues that Kevin Hart's poetry has a close relationship with western traditions and there are dual realities in Kevin Hart's poetic space, and this space includes the elements of classicism, romanticism,modernisms(cubism,surrealism),dual tradition of theology (positive the-ology and negative theology), and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry: the concrete, conscious, definite, familiar, natural, phenomenal, p

Part I Introduc tion
Section I Introduction
Section II Ha rt’S Backg round and Achievements
Section III Literatu re Review．1978—2003
Section IV Methodology
Part II From Classicism to Romanticism
Section I Classical Elements in Hart’S Poems
Section II Hart’S Romantic Internalized Quest
Part III Modernisms in Hart's Poems
Section I Elements 0f Cubism
Section II Elements 0f Su rrealism
Part IV Hart's Faith and the Dual Tradition of Theology
Section I Positive Theology
Section II Negative Theology
Part V Relingion without Religion
Section I Questing fOr“Continuity of Being”through Desi re and Death
Section II Seeking for“Exteriority”th rough Transcendence
Section III Religion without Religion
Part VI Cone husion
Attac hments:
1.Bibliography
2.15poms by Hart in transiation