纪念中国艺术研究院建院70年专题 —————————————————————————————————————————— 1/张庚笔记张 庚 35/从心所欲不逾矩安 葵 ——为中国戏曲研究院成立70周年作 47/近十五年傅惜华藏戏曲文献整理研究述评郭英德 徐 畅 61/中国艺术研究院70年来戏曲文献整理研究述要孙书磊 95/大团队、大格局、大视野、大手笔康保成 ——张庚学术团队在“新时期”的历史贡献述略 117/先上马,后加鞭董上德 ——中国戏曲的演化路径与“前海学派”的深度阐释 130/一项****的民族戏曲工程苗怀明 ——《中国戏曲志》编纂始末 146/中国艺术研究院戏曲研究所的戏曲文物研究车文明 高 健 156/“前海”与当代中国戏曲评论傅 谨 168/张庚先生对戏曲音乐的学术思考汪人元 ——从阅读《张庚日记》说起 191/《戏曲研究》之台湾地区戏曲研究概观蔡欣欣 戏曲学田野调查���法研究 ——————————————————————————————————————————————————————————— 210/以历史人类学视角实施戏曲田野考察的意义项 阳 225/田野调查和学术整体观刘晓真 240/关于戏曲民族志的思考沙 垚 深度访谈 ———————————————————————————————————————————————————————————————————————————————————————— 252/一心一戏一念一剧莫 非 孙冰娜 ——青年导演莫非访谈 戏曲史研究 ———————————————————————————————————————————————————————————————————————————————————— 269/试论《临川梦》对《牡丹亭》的再现与批评王瑜瑜 291/近代戏曲家吴承烜及其《蜃楼记续传奇》考论姚大怀 305/从“歌舞演故事”到“故事演歌舞”张利群 梁 燕 ——论“梅舞”的缘起与形成 学术动态 ———————————————————————————————————————————————————————————————————————————————————————— 321/海不辞水,故能成其大王静波 张 静 王学锋 ——中国艺术研究院建院70周年“前海论坛”系列活动 之“中国戏曲当代发展研讨会”暨“纪念张庚先生 诞辰110周年”“纪念《戏曲研究》复刊41周年” 等学术活动述要 337/《戏曲研究》稿约 340/《戏曲研究》2022年度约稿专题 raditionalChineseDramaResearchNo.119 CONTENTS SpecialIssuetoCommemoratethe70thAnniversaryofthe FoundingoftheChineseNationalAcademyofArts ZhangGeng'sNotesZhangGeng(1) DoingatWillwithoutOversteppingtheLine: Forthe70thAnniversary oftheFoundingoftheChineseAcademyofTraditionalChinese DramaAnKui(35) AReviewofResearchonFuXihua'sCollectionofTraditionalChinese DramaLiteratureinthePast15Years GuoYingde XuChang(47) ASummaryoftheResearchonTraditionalChineseDramaLiterature CollationoftheChineseNationalAcademyofArtsinthe Past70YearsSunShulei(61) BigTeam, BigStructure, BigVisionandBigMasterstroke: ABrief AccountoftheHistoricalContributionsofZhangGeng's AcademicTeaminthe“New Era”KangBaocheng(95) GettingontheHorseFirst, thenAddingtheWhip: TheEvolutionPath ofChineseTraditionalDramaandtheDeepExplanationof QianhaiSchoolDongShangde(117) AnUnprecedentedTraditionalDramaProject: TheCompilation HistoryofTheAnnalsofChineseTraditionalDrama MiaoHuaiming(130) ResearchonTraditionalDramaCulturalRelicsoftheInstituteof TraditionalChineseDramaoftheChineseNationalAcademyofArts CheWenming GaoJian(146) “Qianhai School”andContemporaryTraditionalChineseDramaCriticism FuJin(156) Mr.ZhangGeng'sAcademicThoughtsonTraditionalChineseDrama Music: StartingfromreadingZhangGeng's DiaryWangRenyuan(168) ASummaryoftheAcademicStudiesonXiquinTaiwanin“Traditional ChineseDramaResearch”CaiXinxin(191) ResearchontheFieldInvestigationMethodof TraditionalChineseDramaTheSignificanceofFieldworkinTraditionalChineseDramafromthe PerspectiveofHistoricalAnthropologyXiangYang(210) FieldworkandAcademicHolisticViewLiuXiaozhen(225) ThoughtsontheEthnographyofTraditionalChineseDrama ShaYao(240) In-depthInterview OneMindforPlay, OneThoughtforDrama: InterviewwithMoFei, AYoungDirectorMoFei SunBingna(252) ResearchofTraditionalChineseDramaHistory OntheReappearanceandCriticismofThePeonyPavilionin LinchuanDreamWangYuyu(269) ATextualResearchonWuChengxuan, aModernDramatistandHis ChuanqiSequelofMirageYaoDahuai(291) From“Playing the Story through Song and Dance”to“ShowingSong andDancethroughtheStory”:OntheOriginandFormationof “Mei Lanfang's Dance”ZhangLiqun LiangYan(305) AcademicEvents TheSeaNeverLosesitsWater, SoItCanGrowBig: Summaryofthe AcademicEventsof“SymposiumontheContemporaryDevelopment ofChineseTraditionalOpera”and“Commemoratingthe110th AnniversaryofMr.ZhangGeng'sBirth”and“Commemorating the41stAnniversaryoftheReissueof‘TraditionalChineseDrama Research’of“Qianhai Forum”toCommemoratethe70th AnniversaryoftheFoundingoftheChineseNationalAcademyof ArtsWangJingbo ZhangJing WangXuefeng(321) CallforPapers(337) MajorTopicsin2022(340)